The Instrument of Creation

This essay is about coincidences, relationships, love, death, expression, creativity, and the profound role that music can play in our lives.

I’ve been through the wringer this week. I don’t quite know what to do with it all, so I am going to write about it here. This post has nothing to do with social media or marketing, but everything to do with music.

On Tuesday, I found out that someone I had once loved deeply, Kyril Faenov, had suddenly died. Wednesday, I attended his memorial, burial and reception. Twelve years after we ended our romantic relationship, I was embraced again by his family and close friends. As I write this, it is Saturday, and I have been struck bolt awake every morning since, the knife edge of sudden, painful realization again in my chest. People around me are mystified by my devastation. How could I be so profoundly affected by a relationship long ago resolved and, so I thought, put to rest?

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4 Factors That Encourage Hashtag Spamming of Twitter Chats

I was physically present (IRL, In Real Life) recently at an event where the Twitter hashtag stream was completely co-opted by twitter spambots. I’ve live-tweeted from a half-dozen tech and cultural events since the beginning of this year, when I first immersed myself in Twitter. I’m very curious about how social media interactions work – and when and why they can go very off-track. When I live-tweet, I try to observe the hashtag stream in real time, usually using Tweetchat.com or setting up a Hootsuite stream. I’ve followed a handful of events remotely via the Twitter hashtag as well, including a recent conference in Boston called Rethink Music (#rethinkmusic). In addition, I participate regularly in a weekly Twitter chat called #ggchat, one of thousands happening all the time in the Twittersphere. Following Twitter hashtag streams has become an integral part of my participation, and that of many others, in this virtual global sociological communications experiment called Twitter.

Maybe because I’m relatively new to Twitter, I’ve never seen a Twitter stream completely taken over by spambots. I found it fascinating and dismaying at the same time. This article in The Atlantic Wire by Rebecca Greenfield gives a good overview of some of the different ways in which Twitter hashtag streams can get co-opted or become annoying. The stream I was on recently was taken over by the Types 1 and 2 spammers which Rebecca mentions: Porn Bots and Jokesters. I didn’t click on any of the links; I could tell the Porn Bots by their Twitter avatars of scantily clad women and the fact they had few tweets, no followers and were following no one. The other category of spammers I saw which Rebecca doesn’t mention I’ll call Job Bots – these are the same as Porn Bots, except the links they promote are to scammy Craig’s List ads, you know: “Easy job! Earn $500 a week using your computer…”

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Interview # 2 With Brian Thompson of Thornybleeder

This is the second half of my hour-long interview with Brian Thompson (theDIYDaily.com), a Vancouver-based music industry entrepreneur, record label owner, artist manager, marketing consultant, digital strategist, brand architect, web designer, blogger, podcaster and industry speaker. Formerly the corporate head of buying and marketing for a large Canadian music retail chain, Brian faced a crossroads when his long-time employer went bankrupt. Using social media, Brian has since re-created himself over the past three years to become a well-respected voice on the convergence of independent artist development, music marketing, social media and technology.

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Interview # 1 With Brian Thompson of Thornybleeder

As a student of social media, I am interested in the role that content plays in the development of a personal brand. To get some firsthand insight into the processes and dynamics that are involved, I interviewed a social media marketing influencer I met through Twitter, Brian Thompson (of theDIYDaily.com).

Brian is a Vancouver-based music industry entrepreneur, record label owner, artist manager, marketing consultant, digital strategist, brand architect, web designer, blogger, podcaster and industry speaker. Brian’s been in the music biz for twenty years. Formerly the corporate head of buying and marketing for a large Canadian music retail chain, Brian faced a crossroads when his long-time employer went bankrupt. Using social media, Brian has since re-created himself over the past three years to become a well-respected voice on the convergence of independent artist development, music marketing, social media and technology.

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