Business | Solveig Whittle

Popcorn With @Mark_Mulligan And Indie Music Marketing Tactics

November 19, 2015 8 Comments

I attended an online Music Biz Association webinar last week presented by Mark Mulligan. Mulligan is the author of the Music Industry Blog, Managing Director of of MIDiA Research and “a media and technology analyst of more than 15 years’ standing and one of the leading voices in music industry analysis.”

I really like Mulligan’s blog posts because he is a music industry wonk, something I can only aspire to. His work is original and thorough. He often presents his research findings at music industry conferences.

One of the ideas Mulligan presented in this webinar is that music itself is no longer a revenue-generating product for musicians. This has powerful implications for the average musician’s marketing strategy and tactics.

Because music is so much in abundance now (due to the digital democratization of both music production and distribution) it has effectively been commoditized down to zero price, so that makes it hard to make a living as a musician.

This is not a new idea, of course. The effect is even more pronounced for emerging artists or artists with niche appeal.

So what is a starving musician to do to keep themselves going?

[Tweet “Musicians, find your popcorn”]
Mulligan proposes that artists should follow the marketing model developed in the early days of the cinema (theater) business.

Here’s the basic idea (from a 2014 post on Digital Ascendency on Mulligan’s blog):

News

The @ZIIBRA Interview With Solveig Whittle On Marketing Yourself As A Musician

December 9, 2014 No Comments

Last month I was fortunate enough to get a chance to visit the offices of my friend Omri Mor’s Seattle startup, ZIIBRA. What a great team of highly motivated and creative people (their office Halloween pumpkin-decorating contest was, how do I say this? Inspiringly Awesome).

While I was there visiting, I also did an interview with their charming community manager, Mia Myklebust, about one of my favorite subjects, music marketing.

Omri founded ZIIBRA in 2011 “with the goal of helping artists turn their creative projects into full-time gigs.” ZIIBRA is a crowd funding or online patronage service that strives to harness the internet to make creating art sustainable. It caters to various types of creative “makers”, from visual artists to musicians to herbalists, perfumers and artisan food producers.

Here’s the interview I did with Mia Mykelbust at ZIIBRA:

Solveig Whittle has had a number of different careers from Microsoft to Marketer to Musician. Her many interests and talents have given her a unique perspective on the artistic community and how they go about making a living from their passion.

“I started out as a programmer many years ago and worked at a big company,” Whittle said. “I worked at AT&T and then I kind of got into the business side and worked as a product manager in the high tech area.”

She has now found her way back into marketing, which is really where her heart lies, while at the same time pursing a career as a musician. Her diverse background has given her the tools to start her own successful music career as well as help musicians hoping to break into the industry.

“Think about it as starting a small business,” Whittle says.

“If you’re an artist and you don’t think about it as starting a small business – you can’t fathom that – it’s going to be difficult unless you partner with somebody who can do it.”

Particular early in their careers many musicians will inevitably be doing their own marketing and promotion. Whittle says that though it’s important for artists to have a broad understanding of what going on in these areas of their business, oftentimes artists are more successful when they partner with someone they trust to work on these sides of their career.

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Interviews, Marketing, Music, Social Media

“Stop trying to get on the radio” And Other Words Of Wisdom From DJ @BradNolan

September 17, 2014 3 Comments

Stevie and I have been honored to be asked to help judge the last two annual Hard Rock Rising Global Battle of the Bands here in Seattle. In 2014, 10,000 bands entered this international competition, and 750 bands subsequently participated in live battles around the world at Hard Rock Cafes from Dublin, Ireland to Atlanta, Georgia. One winner went on to score an all-expense trip to Rome, Italy to perform in front of 40,000 fans.

This year, Stevie and I were asked to be two of the four judges in the finalist round here at the Seattle Hard Rock Cafe. It was very exciting. Even more exciting: this past May, the band which we helped judge to the number one spot in Seattle, a most excellent female-fronted band called Joyfield, went on to beat all the other bands from around the world, and win the entire 2014 global competition!

One of the best parts of participating in the judging at the Hard Rock, however (in addition to seeing bands like Joyfield, of course), is watching our local MC for this event, Brad Nolan.

Brad is not only a fantastic live event MC, his day job is DJ at local Seattle radio station, Click 98.9. Brad is fast-talking, energetic and funny,. He’s also just a really straight-up, honest, friendly guy, AND (it turns out) he also has a lot of insider knowledge to share about radio and the music business.

I thought it would be very cool to interview Brad and see what words of wisdom he might have for indie artists when it comes to radio as well as media and PR in general. I was not disappointed.

I think you will enjoy this interview. Brad has some great advice to share, from how to get on the radio, to how to market yourself as a musician, to the role of social media for indie artists.

Conferences, Music

The Future Of Music Is Standardized Metadata

November 1, 2013 2 Comments

I’ve participated, either in person or online, in several music industry events in the past two years. The speakers and panelists have opined on the sorry state of the industry and the plight of independent muscians, and have pointed a forest of fingers:

It’s the labels’ fault
Technology (Napster) killed the music industry
Music piracy is the problem
Now that everyone can buy ProTools and become a musician, there’s just too much free [not always good] music
It’s just too hard to find good music, so making music discovery easier for consumers is the answer
Streaming is the future of music distribution, and Spotify and Pandora don’t pay artists enough
It’s the fault of radio for being corrupt and paying artists even less
Apple killed the music industry by unbundling the single from the album via iTunes
YouTube killed the music industry by elevating sensationalism over quality of music (and artists don’t make much money from it)
Archaic copyright laws are to blame
Fans don’t really want variety and quality of music, they are content with Psy and Justin Bieber
The only way musicians can make money now is by aligning with big brands
And let’s not forget: Google is evil

It’s all true, to varying degrees, and many people with a lot more experience and knowledge about the business than me are working on addressing these issues.

Yet progress seems slow.

Not a day goes by that I do not read somewhere that being a musician today is both a liberating yet increasingly confusing, disheartening, and economically untenable profession.

In a perfect world, the Direct-To-Fan model eliminates the gatekeepers and creates a music meritocracy, where good music rises to the top and those artists are financially rewarded. Yet that has not happened.

Some would say it always has been so for the 99%, change is good, and this is a brave new world of opportunity for those musicians who can navigate it. Yet we musicians seem an increasingly desperate bunch. It’s not a question of talent or hard work or who you know. Some feel that it is different now, that music is a more irrational business than it has ever been.

Music Metadata

Maybe it’s because I’m an outsider, or naive, but it seems obvious that the solution to a problem created by technology is, yes, a technical solution. Bear with me for a minute.

Marketing

Likable Business by Dave Kerpen (Book Review)

December 15, 2012 1 Comment

This is a book review of Dave Kerpen’s second book, Likeable Business: Why today’s consumers demand more and how leaders can deliver. Kerpen is the co-founder and CEO of Likable, a social media and word-of-mouth marketing firm in New York. He has also been named the most social CEO of the Inc. 500. I read Dave’s first book, Likable Social Media, and was so enchanted with it that when I heard that he had written a second book, to be released fall of 2012, I ordered it right away. Since the thesis and case studies in Kerpen’s first book seemed directly applicable to businesses of every size and kind, it seemed natural that his consulting experience with companies and social media would easily translate into a more generalized business strategy book.

The gist of Likable Business is that the same key principles of effective business use of social media – to listen, be responsive, and tell stories – apply beyond social media, to business in general. The book is written for marketers and executives at small, medium and large companies who wish to “reorganize not only the way they do business around their customers, but the way they empower their people to become likable leaders.” (6) As Kerpen states up front, this is not a research-based or analytical book – “for data junkies, something will be missing” (6) – nor is it a list or manual for the latest tools to optimize the online presence of a business. You could, however, call it a manual of business etiquette for modern companies of every size, from one-person consulting shops to large multi-national corporations.