media | Solveig Whittle

5 Reasons Other Musicians Will Play On Your Album

October 27, 2015 5 Comments

You are a solo artist looking to record your next single, or album, but you need other musicians to perform on your tracks. You could be a songwriter who doesn’t sing, recording a demo in need of a vocalist. Or maybe you are a front man or woman who wants to showcase your original material, and you are searching for other likeminded, talented musicians to be your bandmates.

I know I want to work with the best musicians I can find on my projects. Preferably, they are even better musicians than me and will add a whole new creative dimension to my music. But we all have limited budgets, the other day I visited SoundMoz site and I was able to get one of the best speakers.

How do we get other musicians to sign up to learn our music and lay down a track in the studio, or show up regularly and spend time practicing and putting together a set to perform out – preferably for free or little cost?

The other day I was chatting with a fellow musician at the Seattle AFM (Musicians Union) Chapter 76-493 before a meeting. He was talking about how he has a goal this year to release six albums (!) of original music. Now, he has the songs all written, but he has found it difficult to get other musicians to perform his songs in the studio for free. In particular, there was a musician whom he had approached because he was a much better guitarist. Somehow, my friend just couldn’t seem to get the other guy to lay down the guitar tracks to my friend’s songs. For free.

It became clear to me that my friend’s expectations were perhaps misaligned with reality.

I figured it’s time to share the obvious. Or maybe not so obvious.

I haven’t been at this music thing for that long (I’ve got friends who have been musicians for 40+ years, after all), but I’ve picked up on some pretty important basic etiquette of musical collaboration.

I’ve written another article about the mechanics of long distance musical collaboration, but this post is really about the business, the monetary – and the non-monetary – exchange involved in collaborating musically.

Marketing, Music, Social Media

5 Tips To Make A Viral Music Video

June 1, 2015 2 Comments

[Watch me talk about this post with Michael Brandvold on the Music Biz Weekly Episode 195 on YouTube here or listen to it on Soundcloud here.]

YouTube is the number one search engine for music, so having at least one or two music videos up there seems like a no brainer, check-the-box item for an indie musician.

And once in a while, a music video from an unknown artist goes viral, giving them a huge boost in visibility.

As indie artists, we all feel the pressure to produce a stellar music video (or two), and we look with no small amount of envy at those artists who seem to get discovered overnight via their viral music video. But how is it done? Can you make a music video that is more likely to go viral?

I’m less interested in the viral videos by popular stars like Taylor Swift (Bad Blood) or Sia (Elastic Heart, Big Girls Cry), because those are undoubtedly supported by large online marketing efforts. I’m more interested in music videos made by relatively unknown artists with small to zero marketing budgets which nonetheless seem to have caught on and propelled those musicians’ careers forward in a significant way.

So let’s look at three recent examples.

Book Reviews, Marketing, Social Media

“Will The Real You Please Stand Up” by @KimGarst: Book Review

February 16, 2015 No Comments

What is authenticity? What does it mean to be genuine with your fans, with your customers? How do you know how much of yourself to share on social media? Why do both corporations and individuals find it difficult, yet rewarding (monetarily and in other ways) to be transparent on social media? How has social media changed the way entities, from musicians to social entrepreneurs to multi-national corporations, market their goods and services and engage in value and monetary transactions? How can we use social media to communicate our values, build trust, build relationships and, ultimately, create loyal fans and customers who buy from us because they share our values?

I recently read two books which stirred a great deal of thought on these questions. One is Kim Garst’s Will The Real You Please Stand Up and the other is The Art of Asking by Amanda Palmer. I was struck with the very different approaches these two women took to discuss the science and art of social media in their books, but also convinced that were they stuck sitting next to each other on a flight from New York to LA, they would find much in common in their approaches to building a thriving brand on social media.

This is a review of Kim Garst’s book, with a few examples from Amanda Palmer’s book thrown in to help illustrate some of the key social media principles Garst espouses (although she has plenty of more corporate case studies in the book).

Whether you are a musician, a corporation, or an individual seeking guidance on how to best use social media to build your brand and your business, Kim Garst’s book is a well-written, vital and accessible resource I know I will be recommending for years to come (and that says a lot in the quickly-changing world of social media).

[A podcast review of Amanda Palmer’s book will be appearing later this month as the focus of an extended interview of me by Connie Rock on the University of Washington’s FlipTheMedia.com].

[Tweet ““Authenticity is the game changer that makes good companies great.” – @KimGarst”]This is the fundamental premise of Garst’s book, a business primer which blends both good and bad case studies with a methodical and organized approach toward 21^st century marketing online. In just ten chapters and an easy-to-read 173 pages, Garst lays out the key traits necessary to craft an authentic presence on social media. Her principles apply as well to individuals interested in crafting their personal brand as they do to Fortune 100 companies.

Marketing, Music, Social Media

What Makes Jason Webley and Friends’ “Margaret” So Brilliant

December 23, 2014 1 Comment

As 2014 winds down, I find myself both excited and bemused to write a final music marketing blog about a Seattle indie artist I first met a few years ago. His newest project, Margaret, hot off the press this month, impresses me both musically as well as promotionally (although I hesitate to use that word, and he would probably cringe at it, too). One of the things that characterizes this artist is a fierce allegiance to the creative much more so than the commercial, but perhaps that is a large part of what makes this music project such a great example to discuss.

Watching the way the marketing and promotion of this album has unfolded since I first heard about the project in April of this year has taught me a lot, and I hope you take something from my analysis.

[Tweet “Good music and creativity are at the heart of successful music marketing. “]

Good music and creativity are at the heart of successful music marketing. I have never seen that embodied so clearly. The marketing is important, and executing well is important, but without good music, marketing only takes you so far. First and foremost, I believe that what drove Jason’s project was making good music that was meaningful to him.

What is good music? Ah well, that is a subjective thing. All I can say is, I know it when I hear it. And I know when I don’t. And so do you, and so do fans. Marketing is just the icing – it doesn’t disguise a bad cake, but it sure makes a good one taste better. Now, it is true that music is subjective, and there are many tastes, many genres, and many niches. However, some music is just well written and well-performed, and even if you don’t like the genre, you can appreciate the musicianship. Most importantly, good music moves the audience emotionally. Passion, combined with creativity and craft, make art that is magical.

[Tweet “Passion, combined with creativity and craft, make art that is magical.”]

The second most important thing to get from this article is that being flexible and listening to what your fans want from you will go a long way. If you start with a great live performance, and then get a clear message from your fans to release a CD, do what they say and they will buy it.

There’s a bit more to what Jason did with this project, however, so I’ve outlined below the 10 elements I think were most effective at propelling the project forward at such speed and with such success.

Interviews, Marketing, Music, Social Media

“Stop trying to get on the radio” And Other Words Of Wisdom From DJ @BradNolan

September 17, 2014 3 Comments

Stevie and I have been honored to be asked to help judge the last two annual Hard Rock Rising Global Battle of the Bands here in Seattle. In 2014, 10,000 bands entered this international competition, and 750 bands subsequently participated in live battles around the world at Hard Rock Cafes from Dublin, Ireland to Atlanta, Georgia. One winner went on to score an all-expense trip to Rome, Italy to perform in front of 40,000 fans.

This year, Stevie and I were asked to be two of the four judges in the finalist round here at the Seattle Hard Rock Cafe. It was very exciting. Even more exciting: this past May, the band which we helped judge to the number one spot in Seattle, a most excellent female-fronted band called Joyfield, went on to beat all the other bands from around the world, and win the entire 2014 global competition!

One of the best parts of participating in the judging at the Hard Rock, however (in addition to seeing bands like Joyfield, of course), is watching our local MC for this event, Brad Nolan.

Brad is not only a fantastic live event MC, his day job is DJ at local Seattle radio station, Click 98.9. Brad is fast-talking, energetic and funny,. He’s also just a really straight-up, honest, friendly guy, AND (it turns out) he also has a lot of insider knowledge to share about radio and the music business.

I thought it would be very cool to interview Brad and see what words of wisdom he might have for indie artists when it comes to radio as well as media and PR in general. I was not disappointed.

I think you will enjoy this interview. Brad has some great advice to share, from how to get on the radio, to how to market yourself as a musician, to the role of social media for indie artists.

Interviews, Marketing, Music, Social Media

25 Tips From Music Marketing Experts For An Indie Release

August 7, 2014 90 Comments

Tis the season for indie album releases (perhaps the Grammy submission timelines are driving some of this).

As some of you know, we recently mastered our second Solveig & Stevie CD, Fire and Other Playthings. Before we release it, of course, I am writing up my promotional plan. In the midst of my best practices research process, it occurred to me, wait…

What about consulting the collective brainpower surrounding me in the virtual online cocktail party that is the Internet of All Things, those brilliant music industry people (some of whom I am now honored to call Friend and many of whom I have met In Real Life over the past several years)?

Then came another Lightbulb Moment: I should compile these tips into a blog post to share with you, my faithful readers!

All of these folks are people I have interacted with on social media or in person in some way or another, so they are real people with real experience in music marketing. Many have written entire books (or at least ebooks) on the subject, which I have downloaded or purchased and read.

The links below are not affiliate links, they’ll just take you to the author’s website or blog. All I ask is that if you do visit my friends, please let them know I sent you.

Don’t forget to read all the way to the end – there are some real gems here. Some are a bit more, ahem, detailed than others. Some are practical lists, and some more philosophical. I didn’t want you to miss anything, so I edited just a bit for obvious redundancies. There are some recurring themes.

[By the way, if you’d prefer this post as a PDF, I am thinking of creating an ebook from this blog post. Let me know in the comments or email me via the contact form to let me know.]

So with no further ado, in no particular order, except as they came in to me, here they are:

Interviews, Marketing, Music, Social Media

How Musician @PollyBakerMusic Got 49K Twitter Followers

August 4, 2014 2 Comments

I recently came across a young female country artist, Polly Baker. I checked out her music, and her music videos, and it was good catchy stuff – nice. Then, as I am wont to do because I teach social media, I checked out her Twitter profile. Okay… She’s been on Twitter since March, 2012. Wait, wow – 49.3K followers?

I was immediately curious to see how many of Polly’s followers were fake. I ran her Twitter handle through the SocialBakers FakeFollowersCheck tool.

This is a free app promotion so, you can use to check anyone’s Twitter handle to see how many suspicious, “empty” or inactive followers someone has on Twitter. It’s a pretty reliable indicator of whether someone has bought Twitter followers (I wrote a post about How To Grow Your Twitter Following and explained why buying Twitter followers is a bad idea for musicians).

To my surprise, Polly’s Twitter followers were 97% good. That is an amazing number. 49.3K Twitter authentic followers? In just over two years. Impossible to do organically.

I have friends who have been on Twitter for 6 years or more, and they tell me it was much easier in the beginning to grow a following of tens of thousands in the early days. Now? Not so easy without buying followers, using automation tools, or hiring a social media agency with a college intern to sit and follow people for hours a day.

Now I was intrigued.

Curious to know how Polly got this large authentic Twitter following in such a relatively short time, I emailed her and asked her to share a bit about herself, her social media practices and perhaps also some of her Twitter secrets. She graciously agreed.

Here’s our interview:

Marketing, Music, Thoughts

Walking The Dog Episode 10: @Mark_Mulligan on #Streaming and Albums Vs. Singles

May 30, 2014 No Comments

Walking The Dog Episode 10 Solveig Whittle

In this 18 minute podcast, I cover two current issues:

The $2.6 billion acquisition of Beats by Apple, and why indie musicians should care.
A discussion last night on the popular indie music and music marketing Twitter chat, #ggchat (archives available here), about whether artists should release singles or albums (EPs, LPs, etc.)

I start the podcast with the recent Hypebot post Mark Mulligan: Apple’s Beats Acquisition Driven By Streaming Music’s Mutual Fear Factor. Mark is a respected music industry analyst and consultant, and former Pinnacle and Forrester analyst who publishes on his own SEO-friendly-titled blog as well, Music Industry Blog.

As indie artists, we probably don’t care much who wins the streaming music wars – Pandora, Spotify, Apple, YouTube (Google), or Amazon. We should care, however, that the flow of revenue to artists from streaming music consumers becomes more transparent and equitable.

[Tweet “”If streaming music becomes less crowded, at least we’ll know who to shoot at.””]

Apple revolutionized music consumption and propelled the consumption of digital music into the 20th century with iTunes. Perhaps their acquisition of Beats will help drag the music industry into the 21st century and make payments more transparent. A humble indie artist can only hope!

The majority of the podcast is a discussion of the issue of whether indie artists should release singles or a bundle of songs (an EP, LP, or album.) I am in the process of releasing what I call an EP later this summer, so this issue is personally relevant to me as an artist.

I draw some of my argument from an excellent (if a bit dated) article on Music Think Tank by Frank Woodworth, entitled Unbundling the Album: A Business Case for Releasing Single Songs. I believe the discussion should really be about how indie artist can best market and promote songs, not really how we release them.

Please feel free to leave comments and opinions, experience and arguments below! I love to hear from you.

Marketing, Music, Social Media, Thoughts

Walking The Dog Episode 5: Integrated Marketing

April 25, 2014 3 Comments

In this latest installement of my weekly podcast, I discuss two current articles and the issues they raise around marketing your music online through social media and other online marketing tools. I record this podcast every Friday morning while I walk my dog, which is where I do some of my best thinking about whatever is on my mind that week related to my music and music promotion as a DIY musician.

The first article I talk about in my 16 minute podcast this week is from Digital Music News, entitled See How St. Vincent Doubled Her First Week Album Sales, by Nina Ulloa. It shows that an integrated digital marketing approach incorporating multiple ways to reach a customer can be a very successful technique for increasing music sales. I talk about my conversation this week with Jason Hobbs of The Found Group, the digital marketing agency that handled St. Vincent’s campaign, and how I see the techniques of this campaign might be applied by DIY musicians.

I also discuss an article on Social Media Today entitled Why Facebook Is Not Part of My Social Media Strategy by Shell Robshaw-Bryan, which makes the case for leaving Facebook out of the marketing mix entirely. Although Robshaw-Bryan was starting a blog (not a band or music website) from scratch, she makes some good points about the decreasing effectiveness of using Facebook to build a community – whether you pay for advertising or not. Is it worth paying? Is it worth even playing?

[Tweet “”A customer usually has to see a product around seven times before they’ll make a purchase.” – Jason Hobbs, The Found Group”]

Regardless of what digital media tactics you use as a musician, from Twitter, Facebook, Tumblr, Instagram or more, the fact I found most interesting is something marketers in other industries have known for years: it takes an integrated digital marketing campaign with multiple customer “touches” before purchase happens. There is no single event, or single digital platform – no silver bullet – that will result in an immediate sale.

This is just as true for customers buying music as customers buying beauty products or cars. With the exception of a live performance, most fans will not purchase music from an artist after just one interaction. Building an online community using multiple digital platforms, and using a “retargeting” tool such as The Found Group’s found.ee can help expose fans to an artist as a person, and to their music, multiple times. This multiple exposure is necessary for a fan to progress along in the consideration process, the “sales funnel”, if you will, to the end result of a purchase.

And the ultimate business goal of any marketing campaign purchase – whether it’s a ticket, a digital download, or merchandise. Being a “Like counter” is not as effective as creating community, word of mouth, and buzz that results in repeat purchases by fans.

What are your experiences with Facebook advertising, with integrated marketing, and with how you see fans process of deciding to buy music? I welcome your comments below.